Each student shall receive a 30-minute private lesson each week for the duration of the studio year (August thru May ). If you would like to have an hour-long lesson, simply sign-up for two lesson time-slots.
Studio lessons will be offered Monday thru Thursday afternoons and evenings only.
If cast in a show, please make every effort to make it to your weekly lesson. Even Broadway performers
continue to go to their vocal coach during the run of a show so that they may protect and preserve their voices. And please do remember to list your KJPAS lesson as a conflict on your school/community theater audition form so that you will be let out of rehearsal to come to your lesson.
KJPAS offers winter and summer musical theater camps. KJPAS students are strongly encouraged to attend these camps. I have seen extraordinary growth occur with my students when they participate in such a focused theatrical training ground.
Please drive SLOWLY in our neighborhood (maximum 20 mph). There are many children in the Clear Pond neighborhood. I would rather you arrive a minute late to your lesson than risk hitting a child.
Parking: I can fit four vehicles in my driveway, so please park in my driveway, or in front of my house on my side of the street (on either side of the driveway) only. Thanks!
When arriving for your lesson, there is no need to knock on the door, just come on in and have a seat in the waiting area. I will come and get you once I finish with the previous student.
If you will not be able to make it to your lesson, or will arrive more than 5 minutes late, please do text/call/email me so that I will not worry about you. It is not acceptable to miss your lesson without letting me know in advance.
Besides a water bottle, no outside food or beverages are allowed inside my home/studio. STUDIO BENEFITS
Several times a year I hire and fly in Broadway, Film and Television performers from New York or LA to work my students at no extra charge to you. No other studio offers this kind of opportunity for free.
I own an excellent instrument, a Yamaha U-3 piano.
Rehearsal tracks will be recorded in the studio and e-mailed as Mp3 files to each student.
I own an HD video camera and software for recording college pre-screening auditions.
KJPAS Music and Script library: I have one of the most extensive privately owned musical theatre
collections in the country (in excess of 50,000 songs), and hundreds of monologues, plays and screenplays. And through my connections with theatre professionals in New York City, I am able to acquire almost any piece of music, including unpublished Broadway scores.
Studio Photocopier: I can take music from my extensive library, copy it, and send it home with you the same day -or scan it and e-mail it to you the same day as a PDF file.
The studio subscribes to ultra high-speed Internet.
The studio owns a portable Fender sound system with professional Beta SM57 microphones, and a
weighted 88-key Yamaha professional keyboard for gigs out in the community.
KJPAS led performing Arts trips to New York City to culturally enrich and artistically educate students of the studio. I highly encourage my students to participate when these are offered.
In addition to your private lesson, studio training will include musical theater history classes, music theory workshops, masterclasses with guest performers, and much more. Please refer to the studio calendar.
Performance opportunities in the studio will include the Mock Audition, Holiday Cabaret, monthly “KJPAS Live at Peno Grill” Gigs, and the Spring Recital. Other opportunities (such as the Ciaran Sheehan “Evening with the Phantom” benefit concert in 2019) will be offered as they arise.
KJPAS never uses performance tracks. I always accompany my students “live” on the piano. Sheet music will be distributed regularly for the students to learn from
TUITION and TRAINING
2020-2021 KJPAS tuition will remain at $175 per month, August 1 thru May 1 for weekly half-hour private lessons. The studio operates under the “all-inclusive” model where all sheet music, photocopies, and rehearsal tracks are included in your regular tuition, as well as all “bonus” workshops (including musical theater history, music theory, Broadway performer masterclasses, etc.). Tuition shall be due on the (1st) first of each month, August, 2020 thru May, 2021. A $75 registration fee is due now to hold your place in the studio program. This fee will cover studio expenses including acquiring Broadway scores, scripts and CD’s, facility rental fees for studio performances, paper, copier toner, and flying in and housing Broadway performers for special studio workshops and masterclasses.
Participation in the studio program is understood to be from August, 2020 thru the end of May, 2021. I am making the commitment to be here in Myrtle Beach for the year to provide exemplary musical theater training. In return, I need you to commit to completing the full year of training at KJPAS before deciding to pursue other interests. If you do decide to leave the program early, you must give a full 30 days’ notice before tuition is due. So, if give notice on October 30 , you must still pay your November tuition. If you give notice on November 2
nd, you must still pay your November and December tuition.
I provide my studio families with a fully detailed yearly calendar prior to the start of lessons each year. If you are to grow as a performer, I need you to show up to all lessons, classes and performances. It is no secret that my long-time students and alumni who have found the most success is due entirely to the fact that they never missed a lesson or a class at KJPAS. They attended every winter and summer camp that I offered. And they never missed a KJPAS performance opportunity. If you feel that you will only be using me to land a part in a school, community theater or “pay to play” theater program, and then drop out, then I would ask that you do not take a valuable spot in my year-long studio. I am happy to offer individual audition coaching sessions as my time permits outside of the regular studio lesson schedule.
I want to work with students who have a true passion for performing and a deep desire to develop their craft. I spend many hours each year crafting a well-rounded curriculum for my students. And that is what sets me apart from every other voice and acting teacher out there. Unlike those teachers who will ask “what would you like to work on today?” when you arrive at your lesson, I have an agenda for all of my students to make each of them a highly educated performer. I hold them accountable to score satisfactory grades on their music theory, musical theatre history, and sight-singing tests, in addition to the work that they do on their songs and monologues. So, while I do encourage my students to pursue as many training and performing opportunities as possible, I do expect them to put their training at KJPAS first. This is why so many studio alumni have been accepted to college musical theater programs, and why so many have gone on to very successful careers in the theater. I am willing to work on non- KJPAS curriculum (i.e. audition preparation, or coaching my students on their show music and acting scenes after they have been cast in a show), but only after we complete the week’s KJPAS curriculum. If you find that you need additional preparation for school, community theater, professional theater, or “pay to play” auditions, I would be more than happy to set up an additional coaching session for you outside of the studio schedule at my regular coaching rates. Please speak to me as the need arises and we can match up schedules. I have found that my hour-long students always have time to work on both the KJPAS curriculum and their other auditions/show music. My half-hour students are often pressed for time to work on outside material, so an extra coaching session now and then would be a worthwhile investment.
I would also like to share my thoughts on training with other teachers. I definitely encourage my students to study dance, join an acting class, and of course audition for school, community and professional productions. However, I would strongly dissuade my students from choosing to study private voice or acting with another teacher. There inevitably ends up being a conflict of interest. I have seen it in the eyes of my students when I give vocal technique direction that is different than what they have heard from another teacher. The student often becomes confused on which direction to go, and I am never able to help the student fully successfully grow as a singer or actor. So, if you wish to study privately with another voice or acting teacher, then I would ask that you choose to only study with the other teacher and not me. Thank-you.
By signing up to train at KJPAS, I need for each student to commit to the big three KJPAS events: The Mock Audition, The Holiday Cabaret, and the Spring Recital. Please do not audition for, or pay to be in a show, that conflicts with any of these studio performances. There are many opportunities for you to perform throughout the year, but only 3 days of KJPAS performances. If you want me to pull the absolute best material for you to perform, I need to be guaranteed that you are actually going to show up and perform it.
If you agree with all of the above studio terms, I would be happy to add you to my roster for next year.
There are several options for paying your monthly studio tuition, including three that are literally instant transfers:
Venmo. I strongly encourage parents to use Venmo to pay your monthly tuition. It is an instant transfer, so you will never be late on your tuition payment, and you can easily do it from anywhere using your cell phone. You can find me on Venmo @Kevin-Jones-178
Apple Pay. This payment method is as easy as Venmo. Send your payment to my phone number at 843-251-9542.
PayPal. This is yet another form of instant transfer. However, PayPal has gotten very difficult to use in the past year. I would encourage you to use Venmo or Apple Pay instead. If you do choose to use PayPal, you will have to check every single month that it is set to send to “friends and family”, as PayPal will revert back to their regular payment method where they take a 3% cut. If I receive a payment from you where PayPal has taken a cut, I will immediately refund your payment and ask you to resend it choosing “send to friends and family”. If you do choose to use PayPal, send your payment to my email address:
Cash is always accepted.
Checks are also accepted. Please make them out to Kevin Jones and hand deliver by the 1st of the
month or mail it to 3105 Bramble Glen Drive, Myrtle Beach, SC 29579 so that it arrives prior to the 1st
of the month.
Pay via the auto bill-pay program through your financial institution. Simply make Kevin Jones a
monthly bill. Be sure to set it to pay out on the 24th of the month so that it will arrive at KJPAS prior to the 1st of the following month.
Please note: Any payment received after midnight on the 1st of the month will incur a $50 late fee. If you are unable to make it to your first lesson of the month, be sure that you have paid your tuition.
Returned checks will incur an additional $25 fee. Please consider this your one and only warning regarding late payments. You will incur a late fee if you do not pay your tuition on time. And I will not teach your child until tuition has been paid. I thank-you in advance for understanding that this is my career, not my hobby.
SPECIAL WORKSHOPS AND PERFORMANCES
In addition to your weekly private lesson, I offer several workshops throughout the year. They include music theory, musical theater history, and masterclasses with guest artists. These classes and workshops are not optional; they are part of the KJPAS training program. I am committed to training educated performers who know how to read music, are familiar with the history of the Broadway theater, and whom can display some proficiency in sight-singing. Please be sure to mark all KJPAS lessons, workshops, masterclasses and performances on your family calendar.
An annual studio calendar listing all lessons, workshops, and performances will be provided to each family prior to your first lesson of the year. This is more than ample time for you to get the important dates on your calendar so that you do not miss any performances or workshops. And with 30+ lesson time-slots to choose from each week (when utilizing the lesson swapping option), there is no reason why you should not be able to make it to a lesson time each week.
My mantra on performing is this: I believe in empowering my students and always setting them up for success. My goal is to train my students here in the studio so that they can go out into the world and land roles (and often leading roles) at their school, community theater, or in professional theater; and to be able to stand up in front of a group of people and deliver a stellar presentation.
I also train my students to be fine citizens of the world.
No financial deduction will be made for missed lessons. Unfortunately, I am only available to offer
lessons during the regular lesson schedule, so I will not be able to make up lessons at alternate times.
Thus, I encourage students to swap lessons with another student when a conflict arises. I will regularly provide each studio family with a copy of the updated master lesson schedule including the contact phone number and email of the other students in the studio. This system works very well, and students are often able to make it to one of the 30+ available time-slots.
Any lessons cancelled by the instructor will be re-scheduled.
Please note: Unless there is an emergency situation (i.e. global pandemic, hurricane, flood, winter storm etc.), I strongly dissuade the option of Skype/Facetime lessons for my local students when they have a conflict getting to my studio for their lesson time. Internet lessons work fine for performers who are looking for new audition material and coaching on that material. However, internet lessons are very challenging when it comes to teaching vocal technique (and really, most aspects of the KJPAS curriculum). I would be doing my students a disservice by offering lessons that are not up to the KJPAS standard of excellence. I encourage you instead to do your very best to swap lessons when a conflict arises. There are more than 30 lesson times available each week for you to choose from. And when another student contacts you to swap, please do try to make it work –because the time will come when you are the one in need of a swap.
Please also note: Over the course of the year, you are going to miss a lesson or two for whatever reason. Please keep it in perspective. I offer so many “bonus” opportunities from longer workshops (Musical Theater History, Music Theory), to free masterclasses with Broadway performers to additional free rehearsal time for performances. I guarantee you that you will still see the value in your investment even if you miss a lesson or two during the course of the year. Thank-you!
As I teach out of my home studio, I am always available to teach during lesson times. Thus, the studio will never be closed due to inclement weather. However, the safety of my students is of utmost importance to me. If you cannot make it to your lesson due to the weather please be sure to let me know as far in advance as possible so that I may try to offer up some options. Please refer to the KJPAS inclement weather policy document for a detailed description on how I handle situations such as hurricanes or winter storms, which always arrive with advance notice.
STUDIO CORRESPONDANCE AND CONTACTING KEVIN
I am very good at communicating with students and parents and making sure that everyone is “in the know” regarding studio lessons and events. By accepting my offer to join this studio, and signing the studio agreement document, you are agreeing to read all studio email correspondence in a timely manner, as this is my primary form of communication. I am very conscientious of your time and only send out succinct email information as it is absolutely necessary. I usually send out a studio update once a week after the final lesson for the week is taught. Please refrain from using me as your personal concierge. While I am of course more than happy to speak with you regarding important questions or concerns that you may have, I do have to say that in the past, many of the emails and texts that I have received were questions that I had just addressed in my weekly studio update emails. Please refer to the studio calendar, the latest/greatest master lesson schedule, and studio email correspondence before making contact. Thank-you.
The best way to contact me 24 hours a day is by e-mail (email@example.com). You are also welcome to call/text me at 843-251-9542.